The Okir motif is a Maranawon artistic design. It encompasses multiple artistic designs, usually making use of hardwood, brass, or silver. It has multiple subjects/elements, including (but not limited to) dapal (leaf), todi (flower), and piowas (betel nut seed).
![](https://lastjedihaven.home.blog/wp-content/uploads/2020/10/okir1.png?w=756)
This picture shows three different okir designs that show the diversity of the motif.
![](https://lastjedihaven.home.blog/wp-content/uploads/2020/10/okir2.png?w=917)
This shows the okir motif being used as artistic additions called panolongs to a structure. This one appears to be a torogan, a traditional house built by the Maranao people. The name literally means resting place or sleeping place. Interestingly, its Tagalog cognate is “tulugan”, also literally meaning sleeping place or resting place.
![](https://lastjedihaven.home.blog/wp-content/uploads/2020/10/okir4.png?w=745)
This picture shows a craftsman working on an okir design in the present day. It is an intricate process that dates back to many, many years ago.
![](https://lastjedihaven.home.blog/wp-content/uploads/2020/10/okir3.png?w=577)
This specific okir design was done in paint on a flat surface, showing once again the flowing, swirling, and lines of the diverse yet traditional design. At the top is shown the traditional Moro sword, the wavy-bladed Kris, a reminder of the warrior-filled history of Mindanao.
![](https://lastjedihaven.home.blog/wp-content/uploads/2020/10/okir5.png?w=746)
Once again, the okir design is used for the panolong, the distinctive ornate eaves that add a flair and tradition to otherwise relatively simple structures. The beauty and shocking blend of colors is a beautiful sight to architects, artists, and simple art-appreciating people alike.