Professional wrestling is a strange hybrid of performance art and sport. It has been going strong since the 1970s, and the modern era shows possibly the biggest growth and spotlight on the industry in decades. While World Wrestling Entertainment has been a fixture on television screens since the late ‘80s, a new rival promotion has sprung up to challenge the dominant WWE: All Elite Wrestling. This upstart company differs from the global wrestling titan that is WWE, and it has many drifting, eager to see something new.
World Wrestling Entertainment has been the standard-bearer for professional wrestling for the longest time. It was founded in 1953, when it was known as Capitol Wrestling Corporation Ltd.
It underwent several phases, including but not limited to: Vince McMahon Jr. buying the company from his father, the “Attitude Era”, and the rebranding from World Wrestling Federation to its current incarnation, World Wrestling Entertainment.
All Elite Wrestling, on the other hand, was founded just last year. It was founded by the popular faction of wrestlers called “The Elite” with the financial backing of the Khans, Tony and Shahid.
The new promotion came about when an analyst named Dave Meltzer remarked that an independent show could not sell 10,000 tickets. The Elite, led by Cody Rhodes and the Young Bucks took it a challenge and created a pay-per-view event called All Out, gathering wrestlers from different promotions to successfully sell 10,000 tickets.
The Elite, realizing that this could be a big thing, began planning and eventually allied themselves with father and son tycoons Tony and Shahid Khan to create a new promotion. That promotion became All Elite Wrestling. It secured a deal on TNT for a weekly television show called AEW Dynamite, and now constantly challenges the WWE for viewers and supporters.
In writing the storylines and scripts, WWE tends to take a more traditional approach, having a team of bookers and writers to decide the outcomes of every match and feud. Chief among these are Vince McMahon himself, Bruce Pritchard, Paul Heyman, and Paul “Triple H” Levesque. This virtually gives each wrestler’s character to the team to be handled as they please.
In contrast, a big lure for wrestlers to come to All Elite Wrestling is the creative control they get. This means that wrestlers for the most part don’t get handed scripts and given characters, but get to be themselves. They also have some say to which matches they lose and which matches they win, which can be a problem for when wrestlers have ego trips and refuse to “job” (lose matches).
WWE employs a system in which they do not have official win-loss records, preferring to use viewers’ recent bias for their benefit. Most of the time, matches are determined based on how much the company favors the winning wrestler and not building on previous wins and/or losses.
Meanwhile, AEW use a concrete win-loss record that they show fans. This gives transparency and shows clearly who are winning and who aren’t. Logic thrown into the mix, this means those who win more get closer to title shots and more meaningful feuds.
As All Elite Wrestling and World Wrestling Entertainment continue their battle for control of the pro wrestling world, a good thing to realize is that the true winners are the fans. Competition does bring a better product, as each one is trying to outdo the other, and that makes it all the more entertaining for us. After all, what’s better than two athletes going at it in the squared circle? Two promotions going head-to-head in a war for us wrestling fans’ hearts.